

Why the jury named it
I liked that this film is at once personal and socially meaningful. The director records his sister giving birth in hospital, start to finish. Remarks about the way she was treated differently, about being sent away from home after the birth, leave us wondering what exactly happened. Little by little the family’s longing for a son — the director himself — and the old family planning policy surface as the explanation. Beneath the appearance of a harmonious family we feel the tension and the bind that this history has produced. Formally, I admire that the director never pretends to stand outside it, while also declining to place himself too far inside.
Festival history
- Tenk Award, 47th Cinéma du Réel, France
- Docufiction, 15th DMZ International Documentary Film Festival, Korea
2025 · 2nd Edition
The second edition was staged together with the Donghai International Documentary Masterclass Camp in Shitang, Zhejiang — a stone fishing town on the East China Sea known as “the Notre-Dame of the East”. Twelve of 502 entries reached the final round, and five jurors decided the outcome after four hours of debate.
Also in this edition
